Among the bigger-name streaming services are Spotify, which uses a freemium ad-supported, desktop app-based model; Rdio, which takes a tiered, cloud-based approach; and Pandora, whose personalised streaming radio is also available on a freemium ad-supported model. There’s also Wimp, Rara, Napster, We7, Pure, Last.fm, Senzari, Grooveshark, Sony Music Unlimited, Songza, Mog, Samsung Music Hub, and Microsoft’s Xbox Music, to name a few. In total, more than 500 legal music services are operating across the world, together having registered over 13 million paying subscribers - a figure that jumped more than 65 per cent last year, according to the International Federation of the Phonographic Industry’s (IFPI) Digital Music Report 2012 ….
Too big to succeed: Is the music streaming market doomed to failure? | ITProPortal.com
It’s all about access, not ownership. And Freemium. The music business needs to get this, or fold.

Told you so:)). Long time ago, here. And again, yesterday. The music business ecosystem is utterly dysfunctional - thanks to the IPFI, RIAA, most of the rights societies and widespread arrogance and egocentric obsession with control. Bummer, really. (Thanks to Fran van Horn for the Hypebot link btw).
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